Eurovision Was Traditionally a Whimsical Delight – However It Has Become a Calculated Tool to Whitewash War.

An recent initialism came to light a few months into Israel’s bombardment of Gaza. Known as WCNSF, it means “Injured child with no living relatives”. This term is unique to Gaza, as stated by health professionals like paediatricians. Typically, it is rare for doctors to treat a child who has seen the death of their complete family. However, there has been nothing “normal” concerning the devastating conflict in Gaza, where complete genealogies have been wiped out and the number of young amputees surpasses that of any other place in the world. Nothing normal in scores of doctors arriving back from a sea of ruins with accounts of children being deliberately targeted.

A Hell on Earth In Spite Of a Announced Cessation of Hostilities

The Gaza Strip continues to be an utter catastrophe. Critical healthcare resources are failing to reach those in need, and major human rights organizations have stated that violations are still being committed. The Israeli government rejects these claims, just as it denies all charges it is charged with. Meanwhile, while young survivors are now enduring frigid conditions in improvised encampments, there is a little heartwarming news: nothing is going to stop the international singing competition from continuing with its declared purpose of “togetherness and artistic sharing.” Organizers will continue to roll out a blood-red carpet for Israel, even though several European countries have now withdrawn in objection. Since this, it seems, is what unity manifests as.

Historically, Eurovision banned Russia from participating in 2022 over the “grave situation in Ukraine”. But the crisis in Gaza is entirely distinct.

Contradictory Principles

Overlook the circumstance that Israel was accused of irregular participation methods last year in what appears to have been an effort to politicise Eurovision. Ignore the report that a young child was reportedly killed in Gaza on a recent Sunday. Neglect the data that aggression from Israeli settlers and systematic expulsions in the West Bank have increased dramatically. Overlook the situation that foreign reporters are still blocked from freely reporting in Gaza. None of this, evidently, should be allowed to get in the way of Eurovision’s self-proclaimed spirit of unity.

The Show Goes On While Ignoring Unimaginable Suffering

The contest turns 70 next year – roughly two times the projected longevity of a person in Gaza today. The broadcast will air, but it will never be able to restore the whimsical pleasure it once represented. A contest that once promoted peace has devolved into a transparent instrument to provide a cultural veneer for conflict.

Todd Santos
Todd Santos

Elara is a digital artist and designer passionate about blending technology with creativity, sharing insights and tutorials.